photo results
 | Freestyle BMX - Mikey Perez | Freestyle BMX has grown to include five distinct disciplines. These are Street, Park, Vert, Dirt, and Flatland. These usually involve technical movements of the bike in different ways over varied terrain. There are also three disciplines which are participated in mainly by riders who are not affiliated with the major BMX organizations or sponsored events. These are High Jump, Leap Of Faith and Drag.
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|  ratyz5 (3010) |
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 | Sutton Hoo Excavation Site With Ship Imprint. | Imagine how long it must have taken the Anglo Saxons to dig this pit with the primitive tools they had, and then, drag the ship up from the river to place it in the grave. | |
|  Darkwing (7519) |
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 | Frank zappa album cover | Frank Zappa - Lumpy Gravy (1968)
An important stage in Zappa's evolution into a serious composer, and a brave move for a rock star in his 20s in 1968. This represents Zappa's first fully orchestral release, and may well be unique in that Zappa doesn't play a single note on the entire album. The majority of the album is made up of strange, mumbling snatches of conversation between various Mothers of Invention, groupies, and anyone else who happened to be wandering by the studio (allegedly recorded inside a piano) which, while ocassionally amusing, can tend to drag a little (even for a die-hard Zappaphile like myself). However, these indulgences are well worth trawling through when the suite turns to more serious matters, and Zappa conducts the Abnuceals Emuukha Elkectric Symphony Orchestra and Choir. These excursions owe much to Zappa's love of early-20th century German avant-garde composer Edgar Varese, and range from staccato percussion pieces, through dissonant orchestral stutters, to the highlight of the album, the theme 'Oh No' (later to be re-recorded, with lyrics, for 'Weasels Ripped My Flesh' - and, as such, - along with the strangely affecting surf-pop rendition of 'Take your clothes off' from 'We're only in it for the money' - representing the birth of Zappa's 'conceptual continuity' i.e. the impulse to continually revisit past themes and melodies). Typically, however, even the beautiful, swinging, expansive, groovy theme of 'Oh No, is somewhat infuriatingly cut up into two pieces with a lot of extraneous dialogue between the two halves. | |
|  echosoundz (760) |
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 | Fountain Pen.... | it is always such a pleasure to write with an ink pen. Unlike the ball point pen one just cannot drag and scribble resulting in bad handwriting. And that is one of the reasons that i like the ink pen better than the jotter or ball point pen. | |
|  SangsTurks (686) |
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 | cute baby | hmmm actually that photo is the son of my oldest brother..hehehe..what a drag.. | |
|  resurrection04 (95) |
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 | My cheeky chewy | My pooch who often sneaks onto the bed at night or during the day for a cheeky kip on my pillow. The best thing is you come back from the loo and it's pitched black you find him there tell him to get down and he won't so you drag him off and he growls and kicks and whines so much my partner wakes up and shout at the pair of us to be quite so i get in trouble. ITS MY BED!!! | |
|  mands61123 (840) |
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 | ronaldinho | In 2001 Ronaldinho left GrĂªmio to play European football. Despite bids from much larger clubs, he opted to play for PSG. During his time at PSG, the manager, Luis Fernandez, claimed that Ronaldinho was too focussed on the Parisian nightlife rather than on his football, and complained that his holidays in Brazil would always drag on and never end at the scheduled times.
After the World Cup, having shown his worth on the international scene, there was no shortage on the interest from bigger clubs, and in 2003, Ronaldinho made it known he wanted to leave PSG after they failed to qualify for any European competitions. That set off a bidding war among the top clubs for his services. | |
|  amlegend (787) |
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